by Ian McKinley
Detective Jim Holmes moved from the London Met to Tokyo in order to widen his experience, working with the fabled Chief Inspector Stella Koide. This turns out to be much more than he bargained for, when the murder of a Kabuki-cho prostitute leads to identification of a series of sadistic murders far beyond his worst nightmares. Attacks on the detectives expose links to the yakuza and also members of an exotic nightclub that caters for the more exotic sexual tastes of the ultra-rich.
The team’s uncanny ability to solve cryptic clues reveals deeper layers of an international conspiracy, with links to illegal human genetic engineering and corporate espionage run from the other side of the world. To expose the secret manipulator behind this labyrinthine plot will require direct confrontation on his home ground. As the risks to the detectives increase, Koide´s high-tech tools and Holmes’ understanding of the character of their foe must be combined, not only to crack the case, but also to keep them alive long enough to do so.
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Science Fiction Action Thriller Genetic engineering
Ian McKinley is a Scot, living in Switzerland and spending much of his time in Japan. A professional scientist and fan of all forms of science fiction in books, comics and movies, he decided at the turn of the century to extend from writing text books and technical papers to the new challenges of fiction. Writing occurs mainly during long vacations spent diving, skiing and exploring exotic locations, which provide inspiration and settings for his books.
He writes novels set in the middle of this century, major social and environmental changes along with rapidly developing technology forming the backdrop for action thrillers written for a mature audience. The characters play a central role, tacitly establishing the cultural changes resulting from increasing sexual permissiveness and growth in the power of mega-corporations at the expense of national governments. As Ian has a wide overview of the most recent developments in science and technology, the future worlds described are credible and, given their generally dystopic nature, maybe worryingly so.